Katherine’s Top K-Pop Releases of 2018: #31-40

I use a lot of different criteria to determine my Top 50, which means that these songs are rarely ever grouped thematically in my posts. However, this particular set does happen to have a common thread: they’re all songs that I think were successful from both a musical and an artistic standpoint. The groups belowContinue reading “Katherine’s Top K-Pop Releases of 2018: #31-40”

Katherine’s Top K-Pop Releases of 2017, Part Four: #21-30

Okay, let’s get the obvious stuff out of the way: there are a bunch of boy groups in this post. Apparently, this is the part where I decided to put all the comebacks that have attractive men with intense auras. (Fortunately, the┬árest of the Top 50 will be more diverse!) I tried to be asContinue reading “Katherine’s Top K-Pop Releases of 2017, Part Four: #21-30”